|
|
July 5, 2005
|
A nice job of remastering a multi-track recording (24bit/48khz) by the Emil Berliner Studio using AMSI II process, the surround space is well defined, the clarity is not at the level of modern direct-to-DSD but still very good, the orchestra close but not too close, and it is played with force or ... more |
|
|
|
June 26, 2005
|
The surround mix is done very well. The overall effect is "holographic", the music seems to come from behind the speakers!
There are mixes which pinpoint artists (use 1 channel only, or mostly 1 channel with just a little carry-over into other channels), but this mix somehow puts more sound into ... more |
|
|
|
June 7, 2005
|
The sound quality and surround realism is fantastic. There seems to be a perfect recording of what is actually happening in the studio, including non-musical sounds, such as saxophone keys clapping, fingers on the strings of the viola, etc. The mch mix is among the best I know, and Delbecq explains ... more |
|
|
|
June 7, 2005
|
Excellent sound and accurate surround mix across all channels.
There is real rythm and it is melodious, despite the "experimental" classification he gives himself. "How insensitive" is borrowed and beautifully rendered, but the rest are his compositions, sometimes rapid and jazzy, other times ... more |
|
|
|
June 2, 2005
|
Very enjoyable performance, the piano and violin are equally balanced, they interplay with identical or opposing melodies, there is sometimes romance, sometimes drama: it's all very well done. The surround mix is correct, the sound is airy and true, the instruments come into the living room, but ... more |
|