Review by brenda June 2, 2005 (5 of 6 found this review helpful)
|
|
A big disappointment. Although my fav. Enigmas are Barbirolli (& Halle) and Andrew Davis, I have a soft spot for Menuhin's other Enigma recording, also with the RPO but on Philips, coupled with a fine cello concerto (with J Lloyd-Webber). This lacks the panache and sweep of any of those other versions but it's still decent (in every sense), human, lively and worthy of three and a half or even four stars.
However, what rules this out of court is the recording, which in turn, is further butchered by Membran's absurd editing.
The recording is shrill and glassy at anything abouve a med. volume, and quite wearing. It destroys the inherent richness of the work by burying the RPO strings under a sea of spotlit (and shrill) brass. Worse, the multi-miked spotlighting has instruments wander around the totally artifical sound stage, - tuba on horizontal line with the (few) violins, - sometimes even in front of them, strings restricted to a spot left of centre, timpani that move from centre to centre right - its AWFUL.
And Membran's absurd editing of silences and pauses is as bad if not worse than ever. The last of the Enigma has barely finished when "In the South" is launched, - no time to psychologically "finish" with the preceeding music at all. But the launch of Pomp & Circ. # 4 after "In the South"s gentle, Italian folk influenced closing section is diabolical. Have these people done everything by computer, setting a one second silence gap between everything, movements, whole works, fragments???. It's easier to believe than the notion that a human being was involved in this butchery.
|
Was this review helpful to you?
yes |
no
|
|