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Simon V. said:
If this turns into a series, I hope they include the exquisite Reverie, which Muti left out. It's very short, which may be why it turned out so well.
I would gladly trade Reverie for Scriabin/Nemtin L'acte prealable. I heard it live performed by Vladimir Jurowski conducted State Orchestra of Russia with Alexander Ghindin on piano and two mixed choruses past May. I'm still thrill remembering it. Imagine, 3 hours of Le Poeme d'Extase meets Prometheus meets Interstellar (Black holes, Time and Space continuum, etc.).
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Post by Simon V. July 2, 2015 (12 of 17)
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current93 said:
Imagine, 3 hours of Le Poeme d'Extase meets Prometheus meets Interstellar (Black holes, Time and Space continuum, etc.).
Sounds horrendous! ;-)
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Post by lennyw July 3, 2015 (13 of 17)
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Post by Simon V. July 3, 2015 (14 of 17)
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Post by Claude September 4, 2015 (15 of 17)
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I just read the review by Martin Mezger in the german Stereoplay magazine, where he gives the disc only 5/10 for the interpretation, because he claims Pletnev has been manipulating the instrumentation in the score of the Symphony, without giving details.
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Post by current93 September 5, 2015 (16 of 17)
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Claude said:
I just read the review by Martin Mezger in the german Stereoplay magazine, where he gives the disc only 5/10 for the interpretation, because he claims Pletnev has been manipulating the instrumentation in the score of the Symphony, without giving details.
Maybe reviewer and conductor use different scores?
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Post by Arell September 5, 2015 (17 of 17)
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Claude said:
I just read the review by Martin Mezger in the german Stereoplay magazine, where he gives the disc only 5/10 for the interpretation, because he claims Pletnev has been manipulating the instrumentation in the score of the Symphony, without giving details.
Whatever, this is a magnificient performance and recording. Definitively my classical (SA)CD of the year so far.
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